wir freuen uns sehr euch folgendes mitteilen zu dürfen !!
:rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl:
arashi kommt zu 97,5 % nach europa im zeitraum von anfang/mitte juli bis mitte august und würde gerne ein paar workshops in deutschland geben
er hat uns angefragt diese tour over germany zu organisieren und ihn dabei zu begleiten.
wir stellen uns vor an den orten wo schon eine community besteht in deutschland ca 5 workshops festzulegen je nach nachfrage.
:rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl:
z.b für den süden münchen, mitte mannheim/frankfurt/stuttgart weiter in den norden köln/düsseldorf und im norden hamburg oder berlin.
das ganze soll auf voranmeldung und vorauskasse laufen damit wir die reisekosten und spesen aus usa texas + in deutschland schon mal vorfinanzieren können.
***ablauf der planung***
- dass wir über diesen thread herausfinden wo in deutschland eine nachfrage für arashi´s workshop besteht
- die städte und die location festlegen
- dann werden wir das datum definieren da wir einen reiseplan erstellen müssen
****für alle die arashi noch nicht kennen hier seine biographie auf englisch****
Arashi Bio
Arashi aspires to combine dance, movement, trance states, and performance art to create what he calls “time sculpture.” As a lad his interest in anthropology, mythos, and art fused together and became manifest in a desire to create phenomenological experience through mythology and theater. He began exploring the world of archetypal storytelling with the study of maskmaking, maskdancing, and pupeteering. After focusing on metal/fire sculpture and puppeteering for many years, he realized that his favorite medium of puppetry and sculpture was the human body, namely his own. He was already studying martial arts as part of his meditative practice, but achieved a new passion in self expression when he began intensive study of fire dance and weapons forms and their possibilities.
He started performing with fire and dance 12 years ago, with a small family of artists and dancers who went on to be known and respected as pioneers in the U.S. in the art of combining theatrical performance art and dancing with fire weapons. He began training with bullwhips at about the same time, in 1984. 2 years later he began a love affair with chains (poi) which has plagued his social life ever since. His dance influences started with mosh pits as a teenage “punk rocker,” but he performed on stage for several years in contemporary urban improvisational styles before graduating (snicker;) to “tribal fusion” belly dance in approx. 2001.
einen visuellen eindruck gibt es hier :
arashivid01
arashivid02
*er kann verschiedene workshops anbieten die entweder auf den schwerpunkten tanz und ausdruck oder technik basiert sind
*die workshops sind für anfänger wie auch für profis geeignet
**fullworkshops**
Things every spinner should know
Focus is on proper posture during movements, teaching body mechanics relevant to spinning, and yoga postures useful for the weapons spinner. Beginners are encouraged, as are intermediate to advanced spinners who are interested in dance, body movement, or martial arts, and want to learn more about how these arts can be integrated into their spinning style. There will be a relatively small amount of spinning in this class and it is approached much like a yoga class. Basic postures from Tai Chi, Belly dance, Kung Fu, and various ethnic dance forms will be covered, as well as an introduction to spinning basic moves while performing postures from each.
Choreography, presentation, and improvisation for spinners
Focus is on body movements, technical move families and how they interact with the body during dance, and integration of dance styles with spinning. Class will also introduce music theory, drumming and beat counts, and how they relate to poi. Fundamentals of dance improvisation and performance will be covered, as well as methods of choreographing a routine for performance or fun. Finally students will be asked to present some of their favorite dance moves and the class will then walk through some ways to integrate poi tricks into the movements. If time allows the class will then split up into groups and each will organize dance moves into a routine which will be performed together.
3Dimensional spinning and the spiritual ramifications thereof in the 21st century
Tech poi time! Focus is on fundamentals of technical spinning, specifically how the beginner and intermediate can teach themselves using the muscle memory and instinct necessary for technical poi tricks. Class will focus on as much as possible depending on the skill levels of those present, with specifics covered at the students' discretion. Examples for curricula begin with but are not limited to the following:
Isolation theory, dragon's tongue, stalls, 2D patterning (pendulums, flowers, cascades, fountains, etc.) 3D patterning (atomics, conicals, obtuse spinning, etc.) inversions, insides, trinities, box spinning, and whatever else Arashi has come across in his travels.
Individual and troupe consultations
Not a workshop normally offered at intensives- available through prearrangement. Focus is on specific choreography, building or refining solo pieces or group works for dedicated hobbyists, performance, or competition. Efforts are made to intrude as little as possible on the artist's personal style.
Bullwhips 1
Safety, whip fundamentals, rolling the whip, whip length characteristics, basics of multiple cracking
Bullwhips 2
Target work, multiple cracks, patterning, double whip tricks, crossover points, trinities, moving the crack directions from the same line, fractal patterns
Beginner World Fusion Belly Dance
Basics of body isolations, posture, undulations, belly rolls, arm work, level changes, and theories in movement
**er wäre auch bereit 2 stunden workshops zu geben für communities die nicht genügend teilnehmer finden.**
1st Session: DRILLING SOPHOMORE MOVEMENTS WITH POI
Attention will be given to the fundamentals for practicing movements, which will allow those with varying levels of experience to achieve artistic expression with poi. A classroom (as opposed to a workshop) format will be used, so we will be drilling and aspiring for precision control of specific movements rather than presenting large broad concepts. We will drill movements considered by the instructor to be fundamental for intentful interaction with both dancing and tricks. A knowledge of the basic moves, such as butterflies, reels, crossers, chasing the sun, and simple weaves, is encouraged but not mandatory. Intermediate-advanced spinners are also encouraged, as the concepts may provide insight into dance based poi theory.
2nd Session: REDEFINING TECH MOVES
In this class intermediate tech moves such as 5-beat weaves, simple flowers, offset weaves, wraps, thru wraps, crossers, fountains, butterfly weaves and hyper-loops will be examined and taught using the instructor's approach to spinning, with attention to artful expression. The level of tech drilled will vary with student's skill set. This will also be presented in a classroom format, so expect drilling of movements with attention to subtlety and control. An example would be doing simple offset weaves while in various dance positions and plane positions, with special attention given to proper alignment, posture, and projection of intent.

- mehr details wie kosten, paypal konto etc. gibt es sobald er seine tour in usa abgeschlossen hat und wieder in ruhe ans internet kommt ; )
peace light and all is possible
goldolight
:rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl:
arashi kommt zu 97,5 % nach europa im zeitraum von anfang/mitte juli bis mitte august und würde gerne ein paar workshops in deutschland geben
er hat uns angefragt diese tour over germany zu organisieren und ihn dabei zu begleiten.
wir stellen uns vor an den orten wo schon eine community besteht in deutschland ca 5 workshops festzulegen je nach nachfrage.
:rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl::rofl:
z.b für den süden münchen, mitte mannheim/frankfurt/stuttgart weiter in den norden köln/düsseldorf und im norden hamburg oder berlin.
das ganze soll auf voranmeldung und vorauskasse laufen damit wir die reisekosten und spesen aus usa texas + in deutschland schon mal vorfinanzieren können.
***ablauf der planung***
- dass wir über diesen thread herausfinden wo in deutschland eine nachfrage für arashi´s workshop besteht
- die städte und die location festlegen
- dann werden wir das datum definieren da wir einen reiseplan erstellen müssen
****für alle die arashi noch nicht kennen hier seine biographie auf englisch****
Arashi Bio
Arashi aspires to combine dance, movement, trance states, and performance art to create what he calls “time sculpture.” As a lad his interest in anthropology, mythos, and art fused together and became manifest in a desire to create phenomenological experience through mythology and theater. He began exploring the world of archetypal storytelling with the study of maskmaking, maskdancing, and pupeteering. After focusing on metal/fire sculpture and puppeteering for many years, he realized that his favorite medium of puppetry and sculpture was the human body, namely his own. He was already studying martial arts as part of his meditative practice, but achieved a new passion in self expression when he began intensive study of fire dance and weapons forms and their possibilities.
He started performing with fire and dance 12 years ago, with a small family of artists and dancers who went on to be known and respected as pioneers in the U.S. in the art of combining theatrical performance art and dancing with fire weapons. He began training with bullwhips at about the same time, in 1984. 2 years later he began a love affair with chains (poi) which has plagued his social life ever since. His dance influences started with mosh pits as a teenage “punk rocker,” but he performed on stage for several years in contemporary urban improvisational styles before graduating (snicker;) to “tribal fusion” belly dance in approx. 2001.
einen visuellen eindruck gibt es hier :
arashivid01
arashivid02
*er kann verschiedene workshops anbieten die entweder auf den schwerpunkten tanz und ausdruck oder technik basiert sind
*die workshops sind für anfänger wie auch für profis geeignet
**fullworkshops**
Things every spinner should know
Focus is on proper posture during movements, teaching body mechanics relevant to spinning, and yoga postures useful for the weapons spinner. Beginners are encouraged, as are intermediate to advanced spinners who are interested in dance, body movement, or martial arts, and want to learn more about how these arts can be integrated into their spinning style. There will be a relatively small amount of spinning in this class and it is approached much like a yoga class. Basic postures from Tai Chi, Belly dance, Kung Fu, and various ethnic dance forms will be covered, as well as an introduction to spinning basic moves while performing postures from each.
Choreography, presentation, and improvisation for spinners
Focus is on body movements, technical move families and how they interact with the body during dance, and integration of dance styles with spinning. Class will also introduce music theory, drumming and beat counts, and how they relate to poi. Fundamentals of dance improvisation and performance will be covered, as well as methods of choreographing a routine for performance or fun. Finally students will be asked to present some of their favorite dance moves and the class will then walk through some ways to integrate poi tricks into the movements. If time allows the class will then split up into groups and each will organize dance moves into a routine which will be performed together.
3Dimensional spinning and the spiritual ramifications thereof in the 21st century
Tech poi time! Focus is on fundamentals of technical spinning, specifically how the beginner and intermediate can teach themselves using the muscle memory and instinct necessary for technical poi tricks. Class will focus on as much as possible depending on the skill levels of those present, with specifics covered at the students' discretion. Examples for curricula begin with but are not limited to the following:
Isolation theory, dragon's tongue, stalls, 2D patterning (pendulums, flowers, cascades, fountains, etc.) 3D patterning (atomics, conicals, obtuse spinning, etc.) inversions, insides, trinities, box spinning, and whatever else Arashi has come across in his travels.
Individual and troupe consultations
Not a workshop normally offered at intensives- available through prearrangement. Focus is on specific choreography, building or refining solo pieces or group works for dedicated hobbyists, performance, or competition. Efforts are made to intrude as little as possible on the artist's personal style.
Bullwhips 1
Safety, whip fundamentals, rolling the whip, whip length characteristics, basics of multiple cracking
Bullwhips 2
Target work, multiple cracks, patterning, double whip tricks, crossover points, trinities, moving the crack directions from the same line, fractal patterns
Beginner World Fusion Belly Dance
Basics of body isolations, posture, undulations, belly rolls, arm work, level changes, and theories in movement
**er wäre auch bereit 2 stunden workshops zu geben für communities die nicht genügend teilnehmer finden.**
1st Session: DRILLING SOPHOMORE MOVEMENTS WITH POI
Attention will be given to the fundamentals for practicing movements, which will allow those with varying levels of experience to achieve artistic expression with poi. A classroom (as opposed to a workshop) format will be used, so we will be drilling and aspiring for precision control of specific movements rather than presenting large broad concepts. We will drill movements considered by the instructor to be fundamental for intentful interaction with both dancing and tricks. A knowledge of the basic moves, such as butterflies, reels, crossers, chasing the sun, and simple weaves, is encouraged but not mandatory. Intermediate-advanced spinners are also encouraged, as the concepts may provide insight into dance based poi theory.
2nd Session: REDEFINING TECH MOVES
In this class intermediate tech moves such as 5-beat weaves, simple flowers, offset weaves, wraps, thru wraps, crossers, fountains, butterfly weaves and hyper-loops will be examined and taught using the instructor's approach to spinning, with attention to artful expression. The level of tech drilled will vary with student's skill set. This will also be presented in a classroom format, so expect drilling of movements with attention to subtlety and control. An example would be doing simple offset weaves while in various dance positions and plane positions, with special attention given to proper alignment, posture, and projection of intent.



- mehr details wie kosten, paypal konto etc. gibt es sobald er seine tour in usa abgeschlossen hat und wieder in ruhe ans internet kommt ; )
peace light and all is possible
goldolight
may all beings be happy
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