My dears!
Preparing the Performance LOSt°1 for the Theaterfestival 100°Grad
Lab°1
28°11°07 - 16°°-19°°
Kule Theatre
Auguststr. 10 (Mitte)
ground floor
club entrance
S1, S2 Oranienburger Str
U8 Weinmeisterstr
Bring comfortable clothes, something to dring, maybe a snack, comfortable mood
and IMPORTANT:
PREPARE ONE GROUPGAME FOR INTRODUCING OR GROUPBUILDING
The first (and maybe the second meeting) is open to everbody who is interested to be a part of the LOSt°1 Research-Team.
BE FREE TO SPREAD OUT THE INFORMATION TO EVERYBODY WHO IS INTERESTED!
_______________________________________________________________________
We will bild up a group to prepare together the Performance for the 100°Grad.
This will take a few months of preparation in which we will do research and rehersals for the Laboratory On Stage in february.
The topics we wanna work on are to find tools to build up action, interaction, expectations, to break them and to use them to interact with audience.
When starts a movement to be recognized as a dance? When do we recognize action as performance? What is considerd to be a stage? Or audience?
This are just a few questions we asked already and there will be more to explore.
The theses we are working on:
The performance LOSt°1 researches the borderline of infelt, unconditional subjectivity and volitional, but prevented proximated communication, used as abridge to the non-self.
Important topics of the actors are the experience of the personal space, the perception and (failurend) transcendence of subjective borders, finally the altercation with secludedness as (supposed) logical consequence of being human.
LOSt°1 is therefore an Laboratory On STage, to research the might and power of constructed realities, in an interactive alterning with the audience. Pointing on the, societal created, borders between stage and audience (active and passive), the researchteam trys to remove those, also the assumed safety of the spectateur should be questioned and exposed as a construct.
Die Performance LOST bewegt sich im Grenzgebiet gefühlter unbedingter Subjektivität und gewollter, aber verhinderter mittelbarer Kommunikation als Brücke zum Nicht-Selbst.
Wichtigstes Thema der Protagonisten ist die Erfahrung des persönlichen Raums, die Wahrnehmung und (scheiternde) Transzendierung subjektiver Grenzen, schließlich die Auseinandersetzung mit Einsamkeit als (vermeintlich) logischer Konsequenz menschlicher Existenz.
LOST versteht sich dabei in der Umsetzung als On-Stage-Labor, zur Erforschung der Macht konstruierter Realitäten, in interaktiver Wechselwirkung mit dem Publikum. Die, gesellschaftlich geschaffenen, Grenzen zwischen Publikums- und Aktionsraum werden deutlich gemacht und (teilweise) aufgehoben, die vom Zuschauer angenommene, voyeuristische Sicherheit soll Infrage gestellt und als Konstrukt entlarvt werden.
________________________________________________________________________
Preparing the Performance LOSt°1 for the Theaterfestival 100°Grad
Lab°1
28°11°07 - 16°°-19°°
Kule Theatre
Auguststr. 10 (Mitte)
ground floor
club entrance
S1, S2 Oranienburger Str
U8 Weinmeisterstr
Bring comfortable clothes, something to dring, maybe a snack, comfortable mood
and IMPORTANT:
PREPARE ONE GROUPGAME FOR INTRODUCING OR GROUPBUILDING
The first (and maybe the second meeting) is open to everbody who is interested to be a part of the LOSt°1 Research-Team.
BE FREE TO SPREAD OUT THE INFORMATION TO EVERYBODY WHO IS INTERESTED!
_______________________________________________________________________
We will bild up a group to prepare together the Performance for the 100°Grad.
This will take a few months of preparation in which we will do research and rehersals for the Laboratory On Stage in february.
The topics we wanna work on are to find tools to build up action, interaction, expectations, to break them and to use them to interact with audience.
When starts a movement to be recognized as a dance? When do we recognize action as performance? What is considerd to be a stage? Or audience?
This are just a few questions we asked already and there will be more to explore.
The theses we are working on:
The performance LOSt°1 researches the borderline of infelt, unconditional subjectivity and volitional, but prevented proximated communication, used as abridge to the non-self.
Important topics of the actors are the experience of the personal space, the perception and (failurend) transcendence of subjective borders, finally the altercation with secludedness as (supposed) logical consequence of being human.
LOSt°1 is therefore an Laboratory On STage, to research the might and power of constructed realities, in an interactive alterning with the audience. Pointing on the, societal created, borders between stage and audience (active and passive), the researchteam trys to remove those, also the assumed safety of the spectateur should be questioned and exposed as a construct.
Die Performance LOST bewegt sich im Grenzgebiet gefühlter unbedingter Subjektivität und gewollter, aber verhinderter mittelbarer Kommunikation als Brücke zum Nicht-Selbst.
Wichtigstes Thema der Protagonisten ist die Erfahrung des persönlichen Raums, die Wahrnehmung und (scheiternde) Transzendierung subjektiver Grenzen, schließlich die Auseinandersetzung mit Einsamkeit als (vermeintlich) logischer Konsequenz menschlicher Existenz.
LOST versteht sich dabei in der Umsetzung als On-Stage-Labor, zur Erforschung der Macht konstruierter Realitäten, in interaktiver Wechselwirkung mit dem Publikum. Die, gesellschaftlich geschaffenen, Grenzen zwischen Publikums- und Aktionsraum werden deutlich gemacht und (teilweise) aufgehoben, die vom Zuschauer angenommene, voyeuristische Sicherheit soll Infrage gestellt und als Konstrukt entlarvt werden.
________________________________________________________________________
The Burning Woman
Fire of the Scorch and
The Singe that Bleeds
Fire of the Scorch and
The Singe that Bleeds
